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2009 to Set New All-Time Record at Box Office?
Filed under: Box Office
It's news like this that casts doubt on Hollywood's soapbox crusade against piracy: Variety is reporting that even with a few key weeks still to go, the cumulative box office haul for 2009 has been a gobsmacking $9.48 billion, a number I'd also like to write in full so as to appreciate how many zeroes are involved: $9,480,000,000.00. That figure is only $175 million below the historical high, too, which means that come the release of Sherlock Holmes, Alvin and the Chipmunks: the Squekuell, and a certain movie called Avatar that absolutely no one is paying attention to, 2009 should be resetting the record.
Say what you will about the languishing lack of creativity in Hollywood, but that number is impressive; particularly so considering the rest of the world is suffering the crushing effects of the dreaded recession. Appropriate enough, though, it is this very same suffering that has, most likely, been the fuel for the (soon to be) groundbreaking number. Though ticket prices have been rising in years, going to the movies is comparatively more affordable than most other sources of family entertainment, making a trip to the theater a welcome does of mental Novocaine during tough times.
And it's not only the premium price of 3D and IMAX tickets that has buoyed the movie industry's collective balance sheets, as total admissions are also up 3% over the rates seen in 2008. I for one know that I've made considerably more trips to the theater in 2009 than I did in 2008, but that's largely thanks to a move from Northern Virginia to Austin, Texas, home of the legendary Alamo Drafthouse. But what about you? Are you part of that 3% statistic that has been stockpiling on ticket stubs or have your movie-going habits remained unaffected by the economy at large?
Box Office: Everybody's Armored Brothers
Filed under: Action, Comedy, Drama, Horror, Box Office, Box Office Predictions
New Moon did 70% less this week but still managed to hold onto first place. Just as interesting is that The Blind Side had an 18% increase from last week while only appearing in 30 more theaters. Old Dogs just didn't have the energy and landed back in fourth with Ninja Assassin taking sixth. Here's the top five:
1. The Twilight Saga: New Moon $42.8 million
2. The Blind Side: $40.1 million
3. 2012: $17.6 million
4. Old Dogs: $16.9 million
5. A Christmas Carol: $15.7 million
Four new releases this week:
Armored
What's It All About: A group of underpaid armored car drivers join forces to swipe a big pile of loot, though of course nothing goes as smoothly as planned. Matt Dillon and Laurence Fishburne star.
Why It Might Do Well: The success of Ocean's 11 and its sequels would seem to indicate there's a market for heist movies.
Why It Might Not Do Well: Unfortunately this movie lacks the flash and star power of the Ocean's series.
Number of Theaters: 1,900
Prediction: $18 million
Brothers
What's It All About: In this remake of a 2004 Danish film Tobey Maguire plays a soldier believed to have been killed in Afghanistan while his brother helps care for his sibling's family back home.
Why It Might Do Well: With Natalie Portman playing Maguire's wife we've got three amazing leads here.
Why It Might Not Do Well: 56% at Rottentomatoes.com isn't a deal breaker but it doesn't fill me with confidence.
Number of Theaters: 2,000
Prediction: $16 million
1. The Twilight Saga: New Moon $42.8 million
2. The Blind Side: $40.1 million
3. 2012: $17.6 million
4. Old Dogs: $16.9 million
5. A Christmas Carol: $15.7 million
Four new releases this week:
ArmoredWhat's It All About: A group of underpaid armored car drivers join forces to swipe a big pile of loot, though of course nothing goes as smoothly as planned. Matt Dillon and Laurence Fishburne star.
Why It Might Do Well: The success of Ocean's 11 and its sequels would seem to indicate there's a market for heist movies.
Why It Might Not Do Well: Unfortunately this movie lacks the flash and star power of the Ocean's series.
Number of Theaters: 1,900
Prediction: $18 million
BrothersWhat's It All About: In this remake of a 2004 Danish film Tobey Maguire plays a soldier believed to have been killed in Afghanistan while his brother helps care for his sibling's family back home.
Why It Might Do Well: With Natalie Portman playing Maguire's wife we've got three amazing leads here.
Why It Might Not Do Well: 56% at Rottentomatoes.com isn't a deal breaker but it doesn't fill me with confidence.
Number of Theaters: 2,000
Prediction: $16 million
Monday Night Poll: How Much Will 'Avatar' Make Opening Weekend?
Filed under: Action, Animation, Drama, Sci-Fi & Fantasy, Box Office, 20th Century Fox, Movie Marketing, Oscar Watch
Avatar isn't being released until December 18th, but if you're already sick of hearing about it, you better plug up your ears. The hype machine for James Cameron's magnum opus has been hard at work leaking details, images, snippets, and trailers since way before this year's San Diego Comic-Con or the extensive profile in October's New Yorker. Cameron, who has never been one to bite his tongue, told Playboy, "We know from the exit polling that the response [to Avatar] was 95 percent ecstatic. Most of the five percent negative response is from the fanatic fans who imagined the movie in their minds but now have to deal with my movie." Also, that when it comes to giving birth to a movie, he's crowning. Yum!
Bon mots from Cameron aside, Avatar could be a real game-changer as far as 3D films go – and hell, it's a refreshing change of pace from the sequels, prequels, remakes, and re-imaginings we're forced to sit through. (Plus... giant blue cat people!!!). It's definitely in the running for numerous Oscars. In fact, Oscar experts at In Contention currently have the film for consideration in eight categories, including Best Picture and Best Director.
Not only that, Variety reported that James Cameron, stars Sam Worthington and Zoe Saldana, and producer Jon Landau will be doing a live webcast on December 3rd that will allow fans the chance to ask questions of the crew and sneak peeks at previously unseen footage from the film. The webcast will be broadcast on MTV two days before Avatar hits screens.
So, are you a betting man or woman? How much do you think the Avatar exposure will pay off opening weekend? Will Na'ivish become the new Elvish? Let's start with under $20 million. Going once, going twice... Vote below!
Weekend Box Office: 'New Moon' Edges 'Blind Side' Over Thanksgiving
Filed under: New Releases, Box Office
It's a bit disconcerting when a movie takes a 70% tumble in its second weekend, and still ends up with a $66 million holiday take, but that's Twilight fans for you. New Moon took all of eight days to get to $200 million, a number bested only by The Dark Knight and Transformers: Revenge of the Fallen. It doesn't look like New Moon's staying power will be particularly impressive, but when your movie opens to $142 million, you don't really need it.A movie that might be sticking around the top of the charts for a few weeks yet is The Blind Side, which surged to get an 18% boost over its strong opening weekend (3-day numbers). The relentlessly positive movie no doubt was helped by families looking for something generically acceptable to watch together over the holiday weekend. Even those who don't care for The Blind Side should be happy that most families chose it over the universally despised Old Dogs, which landed in fourth place with $24 million over the five-day weekend, about $15 million less than its predecessor-in-everything-but-name (but really in name too), Wild Hogs, made in its three-day opening.
The weekend's other major debut was Ninja Assassin, which put up a lukewarm $21 million. That's weaker than the non-holiday opening of the last McTeigue/Wachowski Bros. collaboration, V for Vendetta, despite Ninja Assassin seemingly having broader potential appeal (I mean, come on -- ninjas). Opening in limited release was Dimension's The Road, which did okay on just over 100 screens. It seems safe to say that the dark, grimy post-apocalyptic thriller won't be a breakout hit.
The holiday top 11 after the jump.
Indie Roundup: 'Sweetgrass,' 'Clarkworld,' 'Broken Embraces'
Filed under: Documentary, Independent, Deals, Box Office, Distribution, Cinematical Indie, Trailers and Clips
Indie Roundup gathers a selection of indie film news from the past seven days and offers a peek ahead to what's coming.
Deal. Do not despair that the first month of the new year will be filled solely with the expansion of award contenders. Distribution rights in the US for Sweetgrass have been acquired by The Cinema Guild, according to indieWIRE, and the documentary will open at Film Forum in Manhattan on January 6, followed by a rollout across the country.
Directed by Ilisa Barbasch and Lucien Castaing-Taylor, Sweetgrass "follows the last sheepherders to trail their flocks up into Montana's Beartooth mountains for summer pasture," per its official synopsis. After debuting at the Berlin Film Festival last year, the doc played the festival circuit quite successfully, picking up positive critical notices. Check out the splendid trailer in all its quiet, chud-chewing glory after the jump.
Online / On-Demand Viewing. Debuting on demand next Sunday, Clarkworld paints a portrait of filmmaker Bob Clark. Best known for his perennial holiday favorite A Christmas Story, Clark also made the groundbreaking Porky's, which set the tone for all raunchy teen comedies to come, and the significant slasher pic Black Christmas, another flick that was a trendsetter (or at least ripped off at will). Director Deren P. Abram talked with Peter Billingsley (former child star turned filmmaker), Kim Cattrall, Jon Voight, Denise Richards, Mary Steenburgen, John Saxon, Scott Baio, and other people who weren't even in any of his movies! We have the trailer for this one after the jump, too, which makes for an interesting contrast with the one for Sweetgrass. Look for the movie on cable systems via Cinetic FilmBuff.
After the jump: box office talk; trailers for Sweetgrass and Clarkworld.
Weekend Box Office: 'New Moon' Lives Up to the Hype
Filed under: New Releases, Box Office
Sometimes a movie will consume the internet for weeks before its release, and then turn out to be Snakes on a Plane. This is not one of those times. New Moon didn't set the all time opening weekend box office record, but it came uncomfortably close, and -- holy crap -- it now owns the record for the highest single-day gross ever, a $72 million Friday. Twilight opened to almost precisely half of New Moon's $140 million number, and went on to gross $192 million. The sequel should pass that mark by next weekend. New Moon's staying power is a bit difficult to forecast. On one hand, its grosses may be frontloaded, as is typical when rabid fans of the source material rush out to pack midnight and opening-day showings. On the other, this might just be the kind of film that, even more so than its predecessor, generates repeat business. (Along these lines, I wonder if the egregious objectification of men in New Moon's marketing campaign is a victory for feminism. I vote yes.)
Getting somewhat lost in all the New Moon hoopla is the slightly less dramatic victory scored by the earnest, good-natured tearjerker The Blind Side, which took second place with nearly $35 million, which I suspect is another testament to the enduring box office draw of Sandra Bullock. (As a side note, the enduring box office draw of Sandra Bullock must be a testament to the awfulness of All About Steve, which topped out at $33 million despite her prominent presence.) It was also smart of Warner Bros. to deemphasize the sports angle -- a "football movie" would not have done this well.
More, and the top 10, after the jump.
Phew! 'New Moon' Fails to Clinch Opening Weekend Record
Filed under: Box Office, Fandom, Newsstand
According to estimates over at Variety, The Twilight Saga: New Moon failed to top The Dark Knight's three-day opening weekend record of $158 million, bringing what I'm sure will be a huge sigh of relief to all those folks (and there's lots of them) who felt the film was in no way deserving of these historic milestones. Instead, after clinching the Best Midnight Opening record and Best Opening Day record, New Moon will have to settle for third on the Best Opening Weekend list after walking away with a pretty astonishing
If that number holds up (and it should), the film will replace Pirates of the Caribbean: At World's End for third place on the list of all-time best opening weekends (domestic), and will settle in behind only Spider-Man 3 (second) and The Dark Knight (first). Still, with
'New Moon' Smashes 'Dark Knight's' Opening Day Record!
Filed under: Drama, Sci-Fi & Fantasy, Box Office, Fandom, Newsstand
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According to ERC, The Twilight Saga: New Moon sold roughly $71 million (Variety is reporting $72.7 million) worth of tickets on its opening day -- a number that, if correct, far surpasses the current opening day box office record of $67 million set by The Dark Knight back in 2008. With its $26 million take in midnight showings, that gives the second installment in the Twilight franchise two pretty giant records: Best Midnight Opening and Best Single Day Opening. Next up for the franchise is the three-day opening weekend record, also held by The Dark Knight with $158 million.
So what does this say about us? Well, while it's not as critically acclaimed as, say, Harry Potter and the Half-Blood Prince (previous midnight opening record holder) or The Dark Knight, these numbers do show just how much of an impact the female audience can have on a box office take. Sure, when The Dark Knight broke records everyone wanted to single out the teenage male audience as having won that film its titles, but polls showed females were responsible for upwards of 50% of that film's opening box office too. And now, with New Moon breaking records attracting a younger female audience, here's hoping studios wake up and realize that, yeah, the female audience is a damn powerful force.
So kudos to all you Twi-hards for showing up to support the property you love. Is the film truly worthy of its new records? Probably not. Will another film break those records within the next year? Yeah, most likely. But dammit if the folks at Summit Entertainment aren't partying their asses off this weekend. They just won the World Series at the box office. Congrats!
Forbes Determines Hollywood's Most Overpaid Actors
Filed under: Celebrities and Controversy, Box Office
Just the other day, I tackled the notion of whether A-List actors were becoming an endangered species. Now Forbes is adding to the celebrities woes with a list of Hollywood's 10 Most Overpaid Stars. Their criteria for the list: Look at the 100 biggest stars who have starred in at least 3 flicks opening in more than 500 theaters in the last 5 years, and calculate a return-on-investment by dividing total operating income on the 3 movies by the actor's total compensation (salaries and sales earnings). So, who could possibly end up on such a list? Hazard a guess? Well, here are some hints. The 10-spot actor, who has the biggest earnings for his pay, earns an average of $8.62 for every $1 paid, while the worst offender skyrocketed to the #1 spot with a pretty big flop this year, earning only $3.29 for every buck paid. Some of the names in the middle are quite expected, especially Tom Cruise and Eddie Murphy, the former still dealing with image issues, and the latter found out that his silly-comedy formula isn't working like it used to. Also, there is one lone woman on the list, but this actress might be a little hard to guess.
Considering the previous post and some of the names on this list, I think we might be seeing a big decrease in star-power pay over the next few years. But for now ... Who's the least-bad investment, the worst, and the woman? Can you figure out the names in-between? Take a stab and then check out the list after the jump
Are the A-List Actors Becoming an Endangered Species?
Filed under: Celebrities and Controversy, Box Office
There was a time, not too long ago, when the dream was to be on the A-list in Hollywood. Being so high up on the ladder meant great roles, great movies, and box office success. It was a world raining money. Now, however, not only are times tough, but Hollywood is learning a valuable lesson: It's not all about the stars. (Something we wondered about three years ago.)Reuters reports that the movie town is rethinking the millions of dollars they spend to grab the big stars because big celebrity doesn't necessarily equal big box office. They cited the money brought in by The Hangover, District 9, Paranormal Activity, and the Twilight Saga, and the fact that none of these productions had big celebs leading the way. Meanwhile, the star extravaganzas like A Christmas Carol, Surrogates, Funny People, Land of the Lost, Imagine That, and Duplicity boasted big-name talent, but still flopped. Now insiders say that the stars used to big paychecks and gross profit deals are having a heck of a time getting their demands met. As Reuters says: "several films have shown that a great concept or story can trump star appeal when it comes to luring fans."
What a concept! A worthy story being more important than the actors who star? Crazy talk! Could we, dare I say, be headed towards a Hollywood where they don't just write a bunch of crap to have big names appear in (say, Sandra Bullock), and actually put some more effort into the story? Or will we just get greeted by the same crappy stories, but now with unknown names?
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